To begin, Katie outlined the history of woodblock prints in Japan. These prints are known as Ukiyo-e or "Pictures of the Floating World". They often depict scenes such as geisha and samurai. These prints can be seen as a form of fashion magazine, featuring courtesans who could afford the costly kimono essential for their careers.
After her introduction, Katie invited us to find a source of inspiration, possibly from the wonderful books on Japanese art and textiles, which she so generously shared with us. If anyone was not confident about drawing their own design, there were printed images to trace. | |
Next the inking - this was done quickly using ink pads pressed firmly onto the block to ensure good coverage. Paper is then placed onto the inked block and the image transfer achieved by pressing firmly on the paper using a Japanese circular baren. Katie also showed us how to use a metal hand printing press, which requires users to apply about 10-15 seconds of pressure. The resulting effect is more subtle than that produced by the Sizzix machine. Ink can be cleaned off using baby wipes – making sure the block is dry before re-inking. | Another way of transferring the image was to use the Sizzix Big Shot machine, which Katie had brought along. This machine is easy to use and produces very even ink coverage. |
It was a pleasure to see the Gertrude Goodenough Trophy awarded to Pamela Whittaker for her pair of vintage sewing figures. Second place went to Rosie Kirkham for her circular picture.
As usual the back room was as busy as ever. Thanks to Helen Forshaw for this month’s blog. | |